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Ye-Ree Kim Piano Recital



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* Piano: ±è¿¹¸®

(ÇзÂ)
1994³â, 2¿ù ÇѼ¼´ëÇб³ À½¾Ç°ú ½Ç±â¼ö¼® ÀÔÇÐÁ¹¾÷ (Çлç B.A.)
1997³â, 2¿ù ÀÌÈ­¿©ÀÚ ´ëÇб³ ´ëÇпø Á¹¾÷ (¼®»ç M.A.)
1999³â, 5¿ù ¸ÇÇÏź À½´ë (Manhattan School of Music) ´ëÇпø Á¹¾÷ (¼®»ç M.A.)
2006³â, 2¿ù ´º¿å½Ã¸³´ëÇб³(CUNY: The Graduate Center) ¿¬ÁÖÇÐ ¹Ú»ç Ãëµæ (D.M.A.)

1992³â, ¸ð½ºÅ©¹Ù ¿©¸§Çб³ Âü°¡ (Moscow State Conservatory International Summer School)
2005³â, ÇÁ¶ûũǪ¸£Æ® ±¹¸³À½´ë±³¼ö»ç»ç (Hochschule für Musik, Frankfurt, Prof. Lev Natochenny)

(¼ö»ó°æ·Â)
1985³â, Àü±¹ ÇлýÀ½¾ÇÄáÄð 2À§ ÀÔ»ó
1990-1994³â, ÇѼ¼´ëÇб³ ½ÅÀÔ»ý¿¬ÁÖȸ ¹× Á¤±â¿¬ÁÖȸ Ã⿬
1993³â, ÇѼ¼´ëÇб³ ÄÜü¸£Åä ¿Àµð¼Ç ¿ì½Â, ¿ÀÄɽºÆ®¶ó Çù¿¬ (KBS Hall)
1999³â, New York Artist InternationalÄáÄð Ưº°»ó ÀÔ»ó
1990-1994³â, ÇѼ¼´ëÇб³ Çаú ÀåÇбݼö¿©, »ïÀÍ ½Ç±â ÀåÇÐ±Ý ¼ö¿©
1998-1999³â, ¸ÇÇÏźÀ½´ë ½Ç±âÀåÇÐ±Ý ¼ö¿©
1998³â, IIE: Fulbright ÁÖ°üÀÇ Asia-Help Fund ¼ö¿©
2005³â, ¿¹¼ú°¡ ÈÄ¿øÀç´Ü The Steve S. Kang: Young Artists Funds ÀåÇÐ±Ý ¼ö¿©

(Áֿ俬ÁÖ°æ·Â)
1996³â, ¼®»çÁ¹¾÷ µ¶ÁÖȸ (¼­¿ï: ±è¿µÀÇ È¦)
1999³â 5¿ù, ¼®»çÁ¹¾÷µ¶ÁÖȸ (´º¿å: Hubbard Recital Hall)
2000³â 2¿ù, ´º¿å µ¥ºßµ¶ÁÖȸ (´º¿å: Weill Recital Hall at Carnegie Hall)
2000³â 7¿ù, ÀϽà ±Í±¹µ¶ÁÖȸ (¼­¿ï: ¹®È­ÀϺ¸ Ȧ)
2001, 2002, 2003³â, ¹Ú»ç°úÁ¤ Çʼö µ¶ÁÖȸ (´º¿å: Baisley Powell Elabash Recital Hall)
2002³â 1¿ù, Á츮¾îµå ¾Ó»óºí Æ佺Ƽ¹ß (¡°Julliard Ensemble Festival¡±) ÃÊû¿¬ÁÖ
(´º¿å: ¾Ù¸®½º Åи®È¦ (Allice Tully Hall) at Lincoln Center)
2002³â 7¿ù, ¡°Weathersfield String Summer Festival¡±¿¡¼­ ¿¬ÁÖ•Çù¿¬ ¹× ÄÚÄ¡
(¹ö¸óÆ®: Vermont State University)
2002³â 12¿ù, ÇÃ·í ¼®»çÁ¹¾÷¿¬ÁÖ¹ÝÁÖ (´º¿å: LeFrak Concert Hall at Queens College)
2003³â 5¿ù, ¹ÙÀ̿ø° ¼®»çÁ¹¾÷¿¬ÁÖ¹ÝÁÖ (´º¿å: LeFrak Concert Hall at Queens College)
2004³â 3¿ù, ÃÊû µ¶ÁÖȸ ¡°Tribeca Musicale¡± Prof. R. EricksonÈÄ¿ø (´º¿å: Æ®¶óÀ̺£Ä«)
2004³â 10¿ù, Çѱ¹¹®È­¿ø (KMF) ÃÊû ¿¬ÁÖȸ (´º¿å: N.Y. ¿µ»ç°ü)
2005³â 12¿ù, ³í¹®ÁÖÁ¦°ü·Ã Lecture µ¶ÁÖȸ (´º¿å: Baisley Powell Elabash Recital Hall)
2006³â 7¿ù, Joint Concert (¹ÙÀ̸¶¸£: Haus Altenburg)

2000³â 5¿ù, ¾Æ½ºÅ丮¾Æ ÇÑÀα³È¸ À½¾ÇÁ¦ ÃÊûÇù¿¬¿¬ÁÖ (´º¿å: ¾Æ½ºÅ丮¾Æ ÇÑÀα³È¸)
2000-2004³â, À¯Çлý°ú ¿Ü·Î¿î ³ëÀεéÀ» À§ÇÑ ÀÛÀº À½¾Çȸ (´º¿å: Riverside Church)
2002-2004³â, ºÒ¿ìÀÌ¿ô°ú Àå¾ÖÀÎÀ» À§ÇÑ ¡°»ç¶ûÀÇ À½¾Çȸ¡± (´ºÁ®Áö: ´ºÀúÁö¿¬ÇÕ°¨¸®±³È¸)


(°­ÀÇ°æ·Â)
2001-2002³â, ÄýÁî Ä®¸®Áö (CUNY: Queens College),
2004³â, ÄýÁ·Î Ä¿¹Â´ÏƼ Ä®¸®Áö (Queens-borough Community College)

»ç»ç±³¼ö: ±è¿ÁÇö, ÀÌÇýÈ­, Zenon Fishbein, Sara Davis Buechner, Morey Ritt

ÇöÀç: ÇѼ¼´ëÇб³ Ãâ°­

(¹Ú»çÇÐÀ§³í¹®, 2006³â 2¿ù): The Impact of Stravinsky¡¯s Serial Conversion on Composers of the ¡°American Stravinsky School¡±: An Examination of Selected Works for Piano; Áöµµ±³¼ö Prof. Dr. Joseph N. Straus


¡á F.Martin (1890-1974)
- Preludes, Nos. 1, 3, & 8
No.1 Grave
No.3 Tranquillo ma con moto
No.8 Vivace

¡á L.v.Beethoven (1770-1827)
- Sonata, No. 26 in E-flat Major, Op. 81a
I. Das Lebewohl (°íº°): Adagio-Allegro
II. Abwesenheit (ºÎÀç): Andante espressivo
III. Das Wiedersehen (Àçȸ): Vivacissimamente

¡á F.Liszt (1811-1883)
- Mephisto Waltz, No.1 in A Major
"Episode:Der Tanz in der Dorfschenke" from Lenau¡¯s "Faust"
Allegro vivace (quasi presto)

-Intermission-


¡á F.Chopin (1810-1847)
- Four Ballades
No.1 in G minor, Op. 23: Largo-Moderato-Presto con fuoco
No.2 in A minor, Op. 38: Andantino-Presto con fuoco-Agitato
No.3 in A-flat major, Op. 47: Allegretto
No.4 in F minor, Op. 52: Andante con moto